• Extended listening and imagine sounds
• describing and writing of electronic sounds
• Basic knowledge about acoustics
• knowledge of actual research 
• Technical Design of artistic and musical content

• Acousmatic - media theory about computermusic
• Acoustic Noise & Waves - basics about acoustics
• Pioneers, theorists and composers of electronic music: Hermann von Helmholtz, Gottfried Michael Koenig, John Cage, Anestis Logothetis, Iannis Xenakis, Marshall McLuhan
• research: Music Information Retrieval, Beat Detection, Pitch Dedection, Wave Field Synthesis, Voice Recognition, Physical Modelling
• Notation of computermusic with acousmographs
• Analog programming sound synthesis technique: modulation synthesis, additive & subtractive synthesis
• FFT Synthesis and FFT audio applications

* Realization of an Acousmograph
* Programming an 'audio beat engine'
* Creation of a computer composition in personal style
* Presentation (pioneers, theorists, composers, actual research projects)

The number of attendants is restricted to 15. If there are more than 15 applicants it is only possible to take part if anotherone gets off. With personal signature at the info meeting on the beginning of the first lecture your registration is complete.

a. Interest in the implementation of technical and artistic content.
b. Willingness to consider reflective music.
c. Primacy of the ear over the eye.
d. Openness to new unheard sounds - apart from the mainstream.